Picasso Carnival / Using Multiple Intelligence Theory in the Art Room

Posted on 16. Mar, 2009 by in All Posts, Cool+Creative, Music+Art

The following is a guest post written by Tricia Fuglestad.  She has taught elementary art at Dryden Elementary in Arlington Heights, Illinois for 17 years.  

After taking a six week online course in Multiple Intelligence theory in the classroom offered through PBS Teacherline, I designed a lesson about the artwork of Pablo Picasso that would engage my diverse learners through their multiple intelligences.
I set up six centers in the art room for students to rotate through. Prior to our first day of this Picasso Carnival, students watched an intro movie, shown below, to give them an overview of each center.

Intro to our Picasso Carnival from Tricia Fuglestad on Vimeo.

Center One: Pin the Feature on the Face (Kinesthetic)
In this center students take turns blindfolding themselves and pinning a feature of the face onto a blank head. This will result in a portrait with randomly placed features much like the look of Pablo Picasso’s cubistic portraits.

Center Two: Mr. Picassohead (logical, visual, and interpersonal)
In this center, students use the online game, http://www.mrpicassohead.com/create.html
to virtually design a Picasso-styled portrait. Students are to work collaboratively, read through the posted instructions together, take turns, and make group decisions to create one final design. This design can then be save with a screenshot (apple shift 3) to the desktop. This center will be set up on the classroom’s interactive whiteboard.

Center Three: The Picasso Polka  (Musical, linguistic, interpersonal)
In this center, students will listen to the Picasso Polka Song by Greg Percy individually on iPods while reading the lyrics. Then they will discuss and interpret the meaning of the lyrics with the group.

  
Center Four:  Art Critics (interpersonal, linguistic, visual)
In this center students evaluate the cubistic styled Picasso painting called, Girl Before a Mirror. They read these questions and discuss as a group their responses.
1.What colors did Picasso use?
2.Are they bold, faded, mixed, or pure?
3.Look at one color. Does the color show up more than once?
4.Is each color balanced throughout the composition?
5.What shapes do you see?
6.Do the shapes repeat?
7.What line patterns do you see?
8.Do the line patterns repeat?
9.Can you find the face and the reflection of the face?
10.Is it Realistic (looking real) or Abstract (not looking real)?

 
Center Five: The Grouping Group (logical/mathematical)
In this center students will categorize 65 small printed images of different pieces of art by Pablo Picasso. The instructions will ask students to group the images according to different criteria, first being Abstract (not trying to look real) vs Realistic (trying to look real). If time allows, students can then pull out images and sort them into another group for those created during the Blue Period (sad looking, painted in mostly blue hues) vs cubistic (scrambled up with multiple views of objects all at once).

Center Six: Playing the Blues (Kinesthetic and Intrapersonal)
In this center, students take turns becoming the Old Guitarist, the title and subject of a Picasso’s paintings created during his blue period.
They put on a blue sweatshirt and sit cross-legged on a blue blanket and hold a guitar (a made a guitar out of foam core scaled to their body size). One group member uses a flip video camera to videotape while the other holds up the “cue card” for the actor. The actor reads, “I am the old guitarist. Pablo Picasso painted me when he was feeling sad. The last time I was playing the blues was when…” At this point the actor fills in the blank with a personal story. Then the students can switch roles if there is time.

The art room is a perfect place to reach all learners, not just the visual/spatial. So far my students have wowed me with their enthusiasm for this interactive learning experience. My role during this time is more of an eavesdropper spying on some excellent learning. Below is a video reflection on the use of Multiple Intelligence theory in my art room.

MI Class Reflection from Tricia Fuglestad on Vimeo.

Teaching Palette guest blogger: Tricia Fuglestad
Dryden Elementary Art Teacher
Arlington Heights, IL

Wordle in the Art Room

Posted on 31. Dec, 2008 by in All Posts, Cool+Creative, Organization and Preparation

Wordle is a site that generates “word clouds”. These word visualizations are generated from a source of text that the user enters. Words that are seen more frequently in the text have bigger prominence in the finished “word cloud”. This makes Wordle an
especially interesting tool for seeing the focus and direction of a piece of text, website or blog. The “word cloud” shown here was generated from entering The Teaching Palettes web address so it visualizes all the content from this site.

There are several ways to create a Wordle. You can use a blog, blog feed or any other web page that has an RSS feed. You can also paste a bunch of text. Once our “word cloud” is created you can save it to the gallery, take a screen shot or print it. There is also simple editing tools for changing the color palette or font of your “word cloud”. Just a “word” of caution (pun intended) that the Wordle gallery is not always appropriate for young audiences.

How can you apply Wordle to the art room? You could take a student’s existing written work, a new short essay or have students write a list of self-describing words and then copy and paste them into Wordle. The more frequent the words appear in the text, the larger the words appear in Wordle. The “word clouds” can be printed for display, saved for a digital display at open house or posted to your classroom digital gallery online. This is what Tricia Fuglestad’s art students did with Wordle. Check out their “Word Clouds” at Artsonia. Students could also use their writing from a poetry or creative writing unit and create it’s visual expression. Share your ideas and examples for incorporating Wordle into the art room.

For more great examples of what educators are doing with Wordle check out Angela Maiers
post. Or read Rodd Lucier’s post on The Top Twenty uses for Wordle in the Classroom.

Update 1/21/09:  Use ~ sign to hold two words together (ex. Art~Education)

Interview with Tricia Fuglestad: Movie-making to Teach Art

Posted on 21. Oct, 2008 by in All Posts, Cool+Creative, Educators in Art, Neat Video, Tech Stuff, Techniques

Tricia Fuglestad, an art teacher at Dryden Elementary School in Arlington Heights, IL, uses technology to enhance learning in her art room. We love the movies she uses to teach art concepts, and wondered how she created them! Read the Q and A below to gain some tips and insight into the process of movie-making in art.

Our interview with Tricia Fuglestad:

Q: How long have you been creating movies to teach your students? My earliest movie dates back to 2002 with the Godzilla Educational Movie. I took some video clips from the movie Godzilla and used voice over and text to point out the art concepts I wanted students to use in their “Dinosaur in the City” project.

Q: What motivates you to create these movies? These movies become an entertaining learning tool that quickly illustrates/teaches/defines art concepts. Students seem to pay attention to the videos (and even request them). Funny, they don’t beg for me to lecture, but they do beg for me to show them these movies.

Q: How do you begin? What is your plan? I write a storyboard. This helps me put images and text together for each scene and shot of the movie. I always try to think short and to the point. I throw in as much “meat” as I can get away with and sugar it with as much humor as I can invent.

Q.) What software do you use to achieve your outcome? I make movies in a variety of different ways. I have drawn and animated movies in flash (ie. Repeat) I have shot and edited movies in iMovie (see Interview with a Pencil at end of page) sometimes using Stupendous Software for split screen and picture-in-picture special effects. I’ve also tried using chroma key effects in Final Cut Express to replace the green screen with anything we wanted (see Swept Away.) Finally, my latest movies have been in Keynote where I animate images set to music (see Digital Portfolio)

Q.) What advice would you give a teacher who is considering using digital media to create similar leaning experiences? I’m still learning the answers to these questions. I find that AFI’s ScreenNation resources online have been really helpful for me in learning how to organize my movies and organize my students who want to make movies with me. Also, Jason Ohler’s website and Digital Storytelling in the Classroom book is a great resource. I also enrolled in an online graduate class through Wilkes University called Digital Storytelling where I was introduced to these resources and expected to apply their concepts in my classroom.

Q: What kind of permission process do you go through with the students before releasing a movie on the internet? I use permission slips to gather my movie-maker volunteers. Whoever turns in their signed permission slip by a certain date is included in the movie experience. This permission is redundant in my district since parents sign a media release form that gives blanket permission for internet, cable, and other media. However, I find that the permission slip is a great little advertisement for the art program and keeps the parents informed on the unique experiences available to their student. I have learned to ask for parent email addresses on the slips. This gives me a way to send the movie link to them directly when it is uploaded to my site.

Q: Do you use any specific hardware to help with filming or to capture sound? We just have a mini DV camcorder, tripod, USB external microphone, green screen, wireless mic, and lights. I’m always writing grants for more things when I see how it can improve our movie-making. Our newest addition is a 25 foot AV cord that plugs into the video camera and to the classroom TV monitor so all the students can help frame the shots. We used this technique when making What a Cheap Trick. Students on camera could see for themselves how they looked in the camera.

Q: I’m sure all of your students want to be in your movies. So how do you choose who participates in each film? That’s a good question. I intend to give each group of 5th graders one movie-making opportunity. But, time is a limiting factor. Movie-making is very exciting, energizing, and an extraordinarily creative process and I would encourage all art teachers to give it a try…your students will love it!

One of Tricia’s latest movie adventures conducts an “interview with a pencil”. Tricia asks, “Do your students press too hard with their pencils when they draw making erasing mistakes impossible?” According to Tricia, instead of lecturing on this topic let Mr. Pencil give some advice to your young artists.


(Trouble viewing video? Try this link.)

Interview with Mr. Pencil from Tricia Fuglestad on Vimeo

Images courtesy of Craig Roland: Flickr.com