My classroom expectation system has evolved in connection with our school-wide PBIS framework.  As the Ball’s Bluff Tiger we ROAR = Respect, On task, and Always Responsible.  So what does that look like in my art room?  Here are my expectations communicated visually:

Respect – A hand in the Air will keep art fair.  – We all have important ideas and questions, the only way to let everyone share in the knowledge is to be fair and respectful to everyone in the class. Download PDF

Respect – Success comes to those who try, failure comes to those who “can’t” – I despise the “I can’t” phrase!  I discuss with my students how they are all learning (even me) and  what  happens when we say “I can’t”. What if one day I said “I can’t” teach you”?  What would they learn?  So I set the expectation – no “I can’t”; we always try our best. Download PDF

On Task – Busy pencils mean Artists at work.  I don’t mind if students are talking. I encourage the sharing that comes in an art class.  I do discuss that while they are in class the artwork needs to be worked on—so they can talk as long as their pencils are moving. This way the discussions tend to stay on the art and they develop the correct work habits. Download PDF

On Task – Show creativity.  What would the world be like if all art were the same?  What would the class be like if all the student art looked exactly like mine?  The goal is to develop their ideas through the lessons and skills we experience together. Download PDF

Always Responsible – Van Gogh knows.  Use your ears.  Listen and learn.  Then you hear the directions and the questions of others and have the most time for YOUR art! Download PDF

Always Responsible – Safety First.  No running with scissors!  And this connects to so many things – ultimately – making good choices. Download PDF

My class learns like the Mona Lisa.  It is great to talk about Mona and use her memorable pose as a model for daVinci.  The mystery behind her intrigues the kids so much and we can learn a lot from her for art class too!  We discuss how her eyes follow you (just like their eyes should follow the speaker), her mouth is a quiet mysterious smile (because what teacher wants to look out at frowns?), and how her hands are still (hold them still just until you can dive into your artwork)!  When I need the student’s attention I say “MONA” and they reply with “LISA” and the students immediately stop what they are doing to make their best Mona-pose.  I “look for my Mona Lisa’s” as they come in to class, etc.  And it hits home – I’ve had students count the Mona’s in my class (I apparently have over 35). One student said, “Thanks, a lot of eyes watching me!”  I think he got it! Download PDF

There are so many others, I welcome you to take a look at my other management visuals and share your own.  These work for me!

The following is a guest post written by Lindsey Wright from OnlineSchools.org.

Art teachers are always on the lookout for creative ways to reach their students. From museum field trips to outdoor hikes to search for still life subjects, art teachers have learned over the years that the more interactive the lesson, the better student engagement. However, with the invasion of smartphones, it’s become increasingly difficult to engage students. While this is generally not an issue those who teach at an online school, teachers at brick-and-mortar campuses are trying to figure out how to engage students who would rather spend their time texting and updating Facebook. The answer, if you have access to smartphones for your classroom, is surprisingly simple: there’s an app for that. Teachers can take advantage of a wide range of applications that can be used in the classroom, integrate them into lesson plans, and lasso reluctant students into engaging in rich learning experiences.

How to Introduce Smartphones to Your Lessons

The problems with smartphones in school are generally thought to outweigh the benefits, leaving many teachers leery of allowing them in class. However, it’s important to remember that while cell phones might be the bane of a teacher’s existence when student phone use in class is a distraction, the devices are only tools can just as easily be used to help rather than hinder classroom activities.

One option for incorporating smartphones into the classroom, is introducing school-purchased smartphones that can be properly monitored rather than regulating students’ use of their own smartphones. For instance, in 2007 Qualcomm issued smartphones to 3,000 students in four North Carolina school districts as part of Project K-Nect. The study, detailed in Education Week, shed light on how smartphones can be used in school. In addition to continuing training to develop smartphone-based science and math lessons, the teachers were given considerable power over students’ devices. Teachers could see what students were doing on the phone at any time, monitor instant messages, report misuse, and even shut the phone down if necessary.

However, school-issued devices aren’t the only way to use smartphones in class. With good direction and supervision, students can usually be trusted to use their own devices productively if given the opportunity.

Teaching Strategies for the Smartphone Classroom

For art teachers, there are tons of ideas worth considering, from straightforward museum tours and art history lessons to modified lesson plans developed by teachers in other fields.

Liz Kolb is the author of the book “Toys to Tools: Connecting Student Cell Phones to Education” and an associate researcher at the University of Michigan. She provides a database of ideas for teachers looking to meaningfully incorporate smartphones into lessons. While the suggestions aren’t specific to art classes, a quick perusal of her ideas and the ideas of other teachers who post to the site will yield plenty of lessons that can be adjusted for the art classroom. Among them:

• Use wiffiti.com, which will display text messages sent to the teacher’s account, to have students write short opinions of a famous work of art. The teacher can display these for students to discuss.

• Use phones to take photos of art in the community and send them to flickr.com. Students can use the compiled photos to create a classroom definition of art.

• Have students utilize a teacher-established account on a site like polleverywhere.com to gather real-time feedback when asking multiple choice or true/false questions. Instead of just one student’s response, teachers get feedback from every student.

• Have students create podcasts in which they describe a painting in detail. Each student will then listen to another student’s podcast and attempt to draw the painting based upon the description.

Of course, Kolb doesn’t have the market cornered when it comes to smartphone integration in the classroom, and a number of websites discuss how art teachers can integrate different apps into  lessons. Teachers can find such a list in one of this blog’s previous posts, which is a great resource for those with access to iPhones in the classroom and also provides plenty of search ideas for those without.

The study in North Carolina cited above found students taking an active role in creating new course content and assisting one another improved their test scores and understanding of course material. Granted, Project K-Nect studied how students engaged in math classes using smartphones, but you can bet that art classes will show equal enthusiasm given the opportunity to use familiar technology meaningfully. Educators need to revise their thinking about the presence of phones in the classroom and develop ways students can engage in lessons that go beyond classroom walls. Why not let art teachers, with their enthusiasm for creativity and willingness to think outside the box, lead the smartphone charge?

So, how, you might ask, do we accomplish all of these wonderful great things when the reality of most of ours situations looks something like teaching at two or more schools with 500 or more students and contact time that seems to creep lower and lower each year?

Another great thing about putting messages on the back of artwork is it helps the students to remember what they learned.  My elementary art teacher did something similar, and knowing I wanted to be an art teacher, I kept all of my elementary artwork. I still have most of these pieces and could remember what I learned and why it was important in my artistic development.  Someday all of the little kiddos you teach will pull out a tub of artwork to display at their high school graduation.  With your help, they just may have a nice little memory about elementary art because of your message.

To prepare the messages, I simply type out the message I want to convey and copy and paste over and over onto one sheet. Then, I slice them up on the paper cutter and put them in a little basket.  Each basket goes on a grade level shelf ready to go on the back of artwork once the project is completed.

Maybe you have seen this idea, thought of this idea or are already doing something like this.  They key here is consistency and to have them on as many projects as you can!  I use glue sticks to attach the messages because it does not make the art wrinkle up like runny glue does.

If starting this task seems daunting to you, don’t worry. Start small.  There are many different ways to accomplish putting message on the back of artwork.

In one simple step, that takes a matter of minutes, you can more effectively communicate with parents and make those important connections home! They next goal for me is to create mini-rubrics, self-assessments and reflections to go along with these messages.  These glued to the back, I think, would provide an even richer experience for my art students!

I would love to hear more about ways you all communicate more effectively with parents in the art room!

At the drawing center: sketching, making a comic, drawing from observation. Grade two

The following is a guest post written by Kathy Douglas. She is a retired art teacher from East Bridgewater, MA public schools, Massachusetts College of Art and Stonehill College. You can also follow Kathy on Twitter.

Budget cuts are everywhere these days and schools have to tighten their belts. Many art teachers report that this has had a big impact on their teaching conditions, with shrinking supply budgets and expanding class sizes.  In some schools teachers now have classes that are doubled up, but with shortened class time.  Under these difficult conditions it is a challenge to offer a quality art program and we are expected to do more with less.
All art teachers offer their students a time structure, space to work, materials, and inspirational instruction.  As a young teacher in the early 1970s I was motivated to do this, but had class sizes up to 33, some half hour classes, a small art room and a smaller supply budget.

Eight-year-old painters set up their own materials using menus in the paint center.

Through trial and error I discovered that not everyone had to do the same thing at the same time.  I began the year with whole group demos of entry level “dry” media (drawing, collage, simple cardboard construction) one each class period, adding something new each week but keeping the previous options open.  I was pleased to note that children sorted themselves out among the choices and worked much harder when they had a choice.

When it was time to introduce paint, I found to my delight that I could limit painters to 8 at a time, while the other students continued independent work. Set up and clean up (which I taught the students to do instead of me!) was a breeze.  I was also able to offer a large variety of paintbrushes and high quality paper, as I needed only a few of each type.  This benefit extended throughout the year, as I could make a dozen weaving looms useful in several classes for instance.

Grade three: independent work with silk screen using finger paint.

As the years passed and I became more experienced, we were able to add elaborate and/or expensive materials and techniques to our course of study. For example, because I could work with a few interested students at a time, I could introduce the complicated silk screen process to eight students, who subsequently became printmaking coaches for other students. With only eight screens and a very small sink, I never would have attempted this technique with an entire large class!  We could afford small amounts of lovely 24″ by 36″ 90-lb paper and better quality brushes for students who were committed painters. In a typical grade three class you might see a group of six students using the silk screens, four or five children working on plaster gauze masks, several at the drawing table (one or two using pen and India ink in spill proof containers) and always, several children at the construction center building with found objects such as cardboard, plastic caps, small boxes, etc.

Grade one students sort “found objects” they have collected from home.

Why Choice-Based art curriculum’s work:
1. Students had more time to work as they set up and put away materials as needed.
2. I did not have to have enough of any one material for everyone.
3. Students helped stock the studio with their material finds and the search for these materials extended their interest in the art class.
4. I was able to work closely with small groups of interested students trying new techniques or materials.
5. Because students in large groups could spread out or work standing up, the space in my small room was used more efficiently.
6. The opportunity to move around in the room, or to find a quiet corner, helped the students cope with the large numbers.
Over time I realized that my adjustments for large groups had actually improved art learning for my students, as they took on more responsibility and became engaged in work that was important to them.  I taught this way for nearly 35 years and every day the children and I learned from each other.  Small class sizes and huge budgets are wonderful, but we don’t have to wait for that bounty to make it work for our students.

For more information on choice-based art education:
Teachers College Press has published Engaging Learners Through Artmaking: Choice-Based Art Education in the Classroom, co-written with Diane Jaquith.
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The following is a guest post written by

Good Things Come in Small Packages. It is such fun to come across a book that our elementary-aged students can read that have ideas for visual arts lessons built right into the story. The Sixty-Eight Rooms by Marianne Malone does just that. It is a fantasy tale, perfect for 2nd-6th graders, about the Thorne Rooms at the Art Institute of Chicago.

In our story, Jack and Ruthie go on a field trip to the Art Institute of Chicago and see the Thorne Rooms for the first time.  Jack discovers a key while on a separate special tour with one of the museum guards. The key leads Jack and Ruthie to discovering much more about the sixty-eight rooms! These exquisite rooms, whose design represents the style of a different era and place, were commissioned by Narcissa Niblack Thorne.  The artists and master craftsmen created each using only the finest materials. They were built using 1 inch to 1 foot scale. Even the doorknobs turn, and the desk drawers open, truly representing design in miniature. Our characters discover that the key is really a magic key, which transforms the person holding it into a miniature version of him or herself. We live vicariously as they walk into these rooms and step back in time to pre-revolutionary France, or to late seventeenth century America. By connecting with artworks mentioned in the story including Washington Crossing the Delaware by Emanuel Leutze, we can demonstrate the link between history and art. In this case, Jack and Ruthie realize that they landed in France prior to its revolution, that had been partially inspired by the American’s fight for freedom from British rule.

Kupjack Georgian Dining Room

18th Century Violin Makers Shop

Not all of us can travel to the Art Institute of Chicago to visit this wonderful collection. However there are other museums around the country that also have a connection to Thorne’s incredible legacy. The Knoxville Museum of Art, in Knoxville, TN, holds a collection of Thorne Rooms. These represent some of the earliest of her works. The Mini-Time Machine Museum of Miniatures in Tucson, AZ is a museum dedicated to miniatures. In its fantastic collection, one can find the Kupjack Georgian Dining Room, an example of work by one of Thorne’s primary artists, Eugene Kupjack. The Phoenix Art Museum also holds 20 examples of the Thorne Rooms.

Make curricular connections:

Drawing & Math
Connect this wonderful fantasy to the creativity of our students by asking them to design their own “Contemporary Interior” where they design a room, using 1 inch to 1 foot scale, representing their place and time. Either using one-point perspective in drawing, or photomontage from magazines, the design of their own space would be a fascinating view of our 21st Century world from a child’s point of view.

Sculptural Paper Folding & Math
Jack and Ruthie, our adventurous 6th grade characters, go to school together in a Chicago neighborhood. In the opening chapter, Jack shows a bento box that he brought for lunch to school. Ruthie had never seen anything like it, and your students may not have either! Integrate a wonderful paper folding lesson, that implements measurement and folding for creating the bento box, and using paper folding and sculpture for the food.  There is a wonderful example in the Thorne Rooms collection of Japanese architecture and design known as the Japanese Traditional Interior that would connect wonderfully with this lesson.

The Sixty-Eight Rooms is a wonderful addition to any book or art club looking to connect literature with art. The magical tale would be a great read-aloud in the art classroom, leading to specific art projects that make children think about their enviroments and design.

Special Thanks to the Mini-Time Machine Museum of Miniatures in Tucson, AZ for permission to publish the photographs of works in their collection, both taken by Balfour Walker. The museum can be found on Twitter at @tucsonmuseum Thanks to Nancy Walker for sharing her Bento Box lesson as well. Photos of teacher samples are from the Center for Educator Development in Fine Arts Summit XI Elementary Sessions hosted by Samantha Melvin and Nancy Walkup.

The following is a guest post written by April Millian, a high school mathematics teacher in collaboration with Lisette Morel, a high school art teacher.  April and Lisette teach at New Milford High School in New Milford, New Jersey.

Background:

As a child I loved art class and excelled at mathematics, often creating artwork with a definite geometric flair.  However, it wasn’t until college that I developed a real appreciation for the connections between these two subjects. I was fortunate to spend a January term (a three-week class) in Greece for a Classics course studying of Greek art and architecture. Along with our two Classics professors, a math professor joined us. My initial thought was that it’s crazy to have a math professor on this trip. I mean, what was he going to teach us in Greece? I was standing in front of the Parthenon listening to my professor discuss the Golden Ratio and how it applied, not only to the ancient structure in front of us, but to countless other works of art. That is how my love of mathematics and its significance in art was born.

Fast-forward 13 years I, Miss Millian, am now fortunate to be teaching in a school that is technology-oriented with a fantastic art teacher, Ms. Morel, who shares my interest in relating our two subjects.  I was teaching linear perspective to my geometry students when I realized what a great topic it would make for a cross-curricular activity. Ms. Morel and I began to develop an idea for a video scavenger hunt at The Metropolitan Museum of Art that would combine the art with the mathematics behind it.

Teacher and Student Preparation:

Our objective for this interdisciplinary lesson was simply to introduce our students to and have them recognize and apply the relationship that art and math share. It is crucial to establish and maintain real-life connections in education. This connection brings relevance to the subject matter and to our students’ lives.

To prepare students for the interdisciplinary lesson plan I, Ms. Morel, introduced my drawing students and Miss Millian’s Geometry class to western and non-western viewpoints, such as Egyptian, Greek, Roman and Asian and their applications to visually documenting real life. Afterwards we discussed the Renaissance and linear perspective and how it was utilized by the architects and later by painters. For a real life experience I had our students step out into our hallways and view a one-point perspective. We also looked at photographs of homes and streets where students had to point out a one point, two point, high, low or normal vanishing points. While in Miss Millan’s Geometry class I used a document camera which I found to be extremely helpful in my demonstration and presentation to a large class. Our lesson culminated with a technology, art and math scavenger hunt at the Metropolitan Museum of Art in New York.

The Scavenger Hunt:

To create this scavenger hunt, we started off by visiting the museum ourselves to get acquainted with the layout and decide which pieces would be included in our scavenger hunt. We also took pictures of each work of art.  Then the real work began. We used iMovie to create a video that would take our students throughout history on a search for linear perspective (or sometimes the lack of it) in art. The students were armed with an iPod Nano for each group of two, and a question sheet that they needed to answer. The clues were recorded on the iPods by Ms. Morel and myself. They were also given visual clues, such as a cropped part of a painting, to help them find the correct work of art. To add a bit of challenge to the adventure, the first team to complete the scavenger hunt with the most correct answers received a prize of two prints we had purchased at the museum gift shop.  Upon returning from our quest, the students created their own linear perspective drawings and completed an online survey.

It was so amazing to watch our students scamper through the museum, intent on finding these works of art. The students enjoyed the activity and found using the iPods more engaging than just reading off of a sheet of paper. What made this scavenger hunt so fascinating was that it brought to life a true connection between classroom learning and real life experience for our students.

Below you can view The Met Scavenger Hunt created by Miss Millian and Ms. Morel.

(Having trouble viewing this video. Try this link.)

(Download Scavenger Hunt Here:  The Art Scavenger Hunt Worksheet at the Metropolitan Museum of Art)

Preview Scavenger Hunt Worksheet by clicking on the image below.

April Millian is a high school mathematics teacher in New Milford, New Jersey. She enjoys traveling and coaching the school’s Varsity Bowling team.

Lisette Morel is a teaching artist-mom, working with her students in a variety of art disciplines while maintaining an active art career.

A big thanks to @NMHS_Principal for sharing his teachers creative ideas on Twitter so we can hear about them and share them with you. Check out Eric’s blog A Principal’s Reflections.

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Product Title: Toobers & Zots

Grade Levels: Kindergarten & up

Product Review: Intended as creative building tools for open ended play, Toobers & Zots are made out of the same material as swimming pool “noodles.” The large tube pieces, called toobers, are of varying lengths from a couple of feet to over a yard.  Toobers have wire inside which allows them to maintain whatever shape they are twisted into. They can be curled, bent, folded, and zigzagged into three dimensional forms. The other pieces, called skinnies and zots, can be attached to the toobers and other skinnies and zots. They add a decorative element to the work. There are over a hundred dots, short tubes, star bursts, circles, crowns, and other shapes. Watch the video of my Kindergartners using this product below.

Can’t see YouTube video above? click here.

This medium allows my students to work in a scale that is larger than they normally get to experience. Because of the abundance of material in each kit, several students can easily work cooperatively on one sculpture. I would suggest that you allow 1-3 students per box. Although my students do not get to keep their work when they are done, I take a photo of each student with their work and print a copy of it for them.

The forms come in a small box in which they fit tightly. Once they are put to use, it is near impossible to get them back in their cardboard box. I put each set in a plastic box about the size of two shoe boxes. The long tube pieces I keep separately in a large plastic bin. Storage is an issue for these currently, as I have limited storage space in my classroom.

The person in my county who introduced us to Toobers & Zot said that they are durable. She had been using her sets for over eight years.

When I priced them online, they seemed to be expensive. Amazon is selling them for around $24 a set. I did see several other sites offering them and the price was comparable. There were sets on eBay, new and used, for considerably less. Our county ordered so many thousands of sets of these, they were able to work out a much better deal with the company.

Though these were purchased for a specific lesson in my kindergarten curriculum, my older students have begged me to let them try them out as well. The kindergarteners thoroughly enjoyed using them and were slow to put them away.

Bucket Rating (5 out of 5 – Love! Need it! Gotta have it now!):

(5) Love it! Need it! Gotta have it now!

If you’re interested in being a Teaching Palette contributor and submitting a review, please click here to learn more.

Product Title: Say the Time (PC-only computer program, see Mac alternative below)

Grade Levels: Kindergarten-12th grade

Product Review: I am an elementary art teacher, and I know that schedules are hard to keep. In my classroom, we have fifty-five minute classes, and when you take away clean up time, that doesn’t leave us with nearly enough time to get our work done. I also realized when I was helping students, that sometimes the time got away from me. So I  searched online for some kind of timer. What I found was Say the Time. It is an amazing program that can set reminders to go off every day.

I have set a reminder for when it is clean-up time for each class, and I have it repeat every week day. Whenever the bell rings, the students know it it time to clean up. This gets everyone going very quickly, and always on time! The program costs about $30.00, but that is a one time fee. There are no subscriptions or any other costs. Just recently, I have added another timer that tells students when they need to be in line and ready to walk out the door. Just today, I had a fourth grade class that was cleaned up and in line in less than one minute! It has worked wonders and given me back my class time. Another added bonus: You can set it to “Say the time” whenever you want it to (I have it set for every 15 minutes) which helps the younger students with elapsed time!

Please note:  Say the Time works on PC only.  If you are a Mac user, we found a similar product called “Timer 7.0” (click “download page” for free version)

Bucket Rating (5 out of 5 – Love! Need it! Gotta have it now!):

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]]> http://theteachingpalette.com/2010/05/03/review-say-the-time/feed/ 2 http://theteachingpalette.com/2009/10/01/whole-brain-teaching/ http://theteachingpalette.com/2009/10/01/whole-brain-teaching/#comments Thu, 01 Oct 2009 01:33:40 +0000 Guest Author http://theteachingpalette.com/?p=2381 The following is a guest post written by Katie Jarvis. She has been teaching art for nine years and currently teaches at Cameron Elementary in Alexandria, Virginia.

At the beginning of every year, art teacher’s everywhere make up a “rules poster” to review with students on the first day of classes. Throughout the year I would find that the students would claim to forget or not know the rules. While researching art room rules last year I came across a teacher on Youtube, Chris Biffle, a college professor who taught what he called Whole Brain Teaching.

How does it work? At the beginning of every class the students and I recite the art room rules. The rules have hand motions and each week we change the style in which we say them- squeaky voice, deep voice, sad, happy, fast, cowboy, etc. The kids love it! In fact if I try to skip over doing the rules even my 6th graders complain.

I created a video to illustrate how I teach these rules on the first day of art.  Trouble viewing video below? Click here.

There is also a scoreboard to help with classroom management. I mark “smiley faces” and  ”sad faces” on the board as the class earns them (see monkeys in image on left). When the class earns a smile they get to cheer. When the class earns a sad face everyone groans.  The points are tallied at the end of each class and a gold paintbrush is awarded for more smiles than frowns, a silver paintbrush for an equal number of smiles and frowns, or no brush for more frowns than smiles. Four paintbrushes earn the class a free art day. Each silver brush is worth 1/2 a gold brush (2 silvers = 1 gold)

The most effective tool I’ve learned from Whole Brain Teaching is getting the students attention. When I say “Class” they say “Yes!” I vary the way I say class to keep them on their toes. For example if I say “Classsity, Class” they respond “Yessity, yes!”

Whole Brain Teaching involves lots of hand gestures and verbal responses from students to keep them engaged and entertained. Using WBT creates a “peaceful classroom full of orderly fun”. Students have more fun following my rules, since I switched to Whole Brain Teaching, rather than ignoring them.